- 4 Band Shifter is a free and open source Auto Tune software. It can be used to enhance vocals and instruments sounds by adjusting various parameters of 4 frequency bands. It only works on Wavosaur. This free auto tune VST plugin independently shifts Pitch and Volume of 4 frequency bands. By varying the knobs, you can get a tuned vocal output.
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Autotune has become ubiquitous across many modern genres of music – it’s certainly not confined to just pop music anymore. Popularised by Daft Punk, The Black Eyed Peas, Chris Brown, Rihanna and even Cher, autotune has become a vital component of modern record production.
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Autotune is both a corrective and creative tool. While many vocalists would prefer for their voice to be autotuned naturally, we’re all familiar with the over-the-top autotune tone of many pop vocalists. Whatever your opinion is of autotune, it’s come along way over the last 10 or so years and is here to stay. Also, the fact is, autotune has so many practical uses that apply not just to vocals but other acoustic sources, too.
If you want to experiment with autotune and implement it as in your music software arsenal, then there are several excellent free autotune plugins available for you to download today.
Many are feature-rich and will offer great scope and functionality for trying out autotuning on vocals and other instruments. We think you’ll be surprised.
Before moving onto the list, let’s briefly cover how an autotune works and what sort of results you can expect.
The Modern Era of Autotune
Autotune is a valuable component of any producer or mix engineer’s VSTs and plugins. The days are gone where artists were scrutinised for their use of autotune and artists such as T-Pain have shaken the view that autotuned artists aren’t skilled vocalists.
Obviously, particular styles of creative autotune aren’t everyone’s cup of tea but autotune has uses outside of vocal pitch correction – they can also be used on synth patches, acoustic instruments, drums and almost any other sound with varying degrees of effectiveness. Many engineers might use autotune to alter the pitch of a few bum-notes that stick out in a guitar solo, for example.
It’s worth experimenting with autotune on both vocals and acoustic instruments as it can allow you to tighten the tonality of your performances.
What Makes an Autotune?
Most autotunes are designed for the voice’s frequency range but they’ll work on other acoustic sources like guitars with varying results.
Most autotunes are simply designed for minor pitch correction. They usually feature transparent audio engines which attempt to effect the voice in the least way possible for more natural results.
Contrastingly, some autotunes produce very overt and obvious changes that can help you create digitised vocals or pitch-shifting FX on other acoustic or electronic sources. For example, you could take a monotonal vocal and pitch it around for all manner of dramatic autotuned effects.
This autotune style is more commonly used in trap, hip-hop, rap and other electronic genres.
How and When to Use an Autotune Plugin
It’s rare that you’d use an autotune harshly on a whole track and instead, you’d most likely use it to address small problematic areas of a recorded waveform. Depending on your vocal, though, you could set-and-forget an autotune to tighten up elements of a whole vocal part. Experimentation is the key here.
Sometimes, you’ll be able to draw in the notes you want to correct to on a piano roll and pitch a sound around with formant control, other assorted fx and MIDI input control.
The problem is, autotune plugins have never really had a reputation for being cheap. Plugins like Melodyne can set you back hundreds of dollars. Whilst their high price is testament to how powerful they are, you can achieve professional results with free VST autotune plugins.
Here, we have 7 of the best free VST plugins available to download today.
1. MAuto Pitch
MeldaProduction has an illustrious history with the support of artists like Deadmau5. They’ve built a completely free and well-featured autotune plug-in and it really is a powerful bit of free kit.
The plug-in concentrates on the basics featuring depth, speed and detune controls. Still, it’s more fully featured than most autotunes on this list and with a modern interface, it’s definitely one of those plugins that makes you think “wow, it’s cool that I didn’t have to pay for this!”
MAuto Pitch has all of an autotune’s traditional controls. Depth essentially controls the depth of the effect – so the level of how much effect the plug-in has on the entire sound. Detune can be used to nudge the pitch up and down for fine tuning.
The speed knob is particularly important and this controls the speed of the autotune effect. Often, singer can hit the note but can’t sustain it. In this situation, it’s best to choose a slower speed so the autotune effect pulls in when the singer’s note begins to wander off.
For a more overt T-Pain-esque style tone, a quick speed setting is necessary so the autotune is immediately noticeable.
This awesome plugin also contains a lot of extra features like the width setting which can widen and stereoize your vocal. Finally, the formant setting can alter the pitch of your vocal in a way which makes it sound more masculine and deep or higher and feminine.
This autotune is equipped with a visual detector which provides a graphical interpretation of incoming notes. It’s all pretty sophisticated but it’s certainly not difficult to use!
2. GSnap
You only have to glance at this autotune to tell that it features a bit of an old-school interface by today’s standards.
Still, at the time it was a real groundbreaker and holds its own against all of the most expensive big boys and newer kids on the block.
This plugin’s MIDI functionality is superb. This means you can use a MIDI keyboard to play in the notes which you need to hit with the vocal part. You can then use this MIDI information to tune the vocal part.
GSnap’s interface is easy to use and the left-hand graphic will display your note’s pitch in red and the corrected version in green. This enables you to fine tune the corrected notes based on the information displayed.
Effects additional to your usual autotune effects include vibrato which is speed adjustable. This will add a fluttering effect to your vocal part. Other functions include a gate setting which can be used to control if the plugin effects just quiet or loud parts of a vocal part. For example, you could only autotune a loud chorus and choose to leave a quieter, more intimate verse unaffected.
Overall, GSnap is a finely crafted autotune tool which is capable of transparent results. Extra features like vibrato can really liven up a flat vocal sound.
3. Graillon 2
This recently released autotune looks a little different to most on this list. It has a greater number of quirky settings and fx and a rather futuristic-come-retro design.
Below its rather funky surface, this is a powerful autotune device. The correction module is the main component and by inserting this in an audio track and switching this on, you can get pretty good results for slightly out-of-tune tracks almost immediately. Inertia works as a speed control, controlling how quickly the autotune acts on a signal. The smooth control can help slow or quicken the transition between one note to another.
Some of the Graillon 2’s funky settings include the bitcrusher which can distort a voice with digital distortion that varies from subtle to outrageous. It’s pretty cool that Auburn decided to throw this into a free autotune plugin.
You can create some fascinating results with this free autotune that range from wispy digitised tones to full-on bitcrushed robotic voices. You can pitch shift to different pitches and octaves and alter the formant controls to change the tone of a vocal or instrument track.
Overall, this plugin really rocks! It has a sleek and modern interface and extra settings that might surprise you for a free plugin.
4. KeroVee
Japan audio company g200kg developed this autotune back in 2010. Today, it holds its own as a highly effective and fully functional free autotune VST.
This plugin has no flashy fx and its interface is more functional than attractive. Beneath its industrial-looking skin lies an ultra-intelligent autotune that can is capable of ultra-precise tunng.
The interface displays graphical info about a sound, including what it started as and what its autotuned version looks like. You can select the relative note which you want the plugin to tune to and with the calib setting you can adjust the overall pitch of your recording.
With many fine tuning controls including formant control, the KeroVee offers an array of more in-depth options than most other free autotunes. It has a unique nuance setting which can allow you to leave natural variations in a singers’ voice like vibrato.
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This plugin doesn’t have flashy FX banks or many advanced controls but what it lacks in functionality it makes up for in precision. It’s clear that most of the programming work has gone into making a transparent-sounding autotune that can naturally tighten a vocal.
5. X42 Autotune
This plugin sports a rather inauspicious early-2000s looking interface but it’s very capable of fixing slightly out of tune vocals without much hassle.
It works via resampling and therefore, it’s not possible to transpose audio and harshly affect its pitch. This also means that you can’t alter a sound’s formants. Still, this plugin is designed for easily fixing a vocal part and that’s ultimately what it excels at.
Unique to this plugin is its bias and offset features which both give you the ability to retain some natural characteristics in your recorded voice. Bias keeps a note natural if the singer deliberately alters the pitch of its sustain and offset adjusts how far a vocalist can stray from inputted notes before the plugin kicks in.
With its MIDI input, you can assign the notes you want to correct your vocal to with your keyboard.
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This plugin is one of the most dated in the list but with MIDI and audio sidechain inputs and a host of extra features, it definitely brings some of the best functionality to the autotunes in this list.
6. Autotalent
Autotalent’s interface will put many off from the get-go but it was originally manufactured by the wonderfully talented engineer Tom Baran before being reprogrammed for VST/AU by Oli Larkin – this honestly is one of the best autotune VSTs in the world.
Scraping below the surface of this industrious-looking plugin reveals its wealth of features. You can use it for anything ranging from light tuning and correction to full-blown robotic mashes and chiptune-style effects.
When setting this plugin up, you want to exclude notes in the scale with a “-1” and leave notes that you want to correct to with a “0”. Once you’ve found your way round its basic effects, it’s easy to start experimenting with its advanced settings and FX.
The LFO section of this plugin can generate some incredible sounding effects and combined with its vibrato control, you can really add life to a vocal performance or acoustic instrument.
Further than that, you can use its LFO feature to generate bit-mashed or chiptune effects.
With lots of extra controls including formant controls, this plugin offers a really high-level of corrective and creative effects. If you can get below its rather crude surface, it can serve you for almost any auto-tuning and pitch shifting purpose.
7. AAS Autotune
This autotune has no GUI! That means it has no interface at all. Yep, you’re right in thinking that you just set this on a track and leave it – it’s invisible.
Manufactured a while ago by Arguru, this autotune pushes sounds pretty hard to get that T-Pain or Chris Brown style autotune.
Since you just set it and forget it, this plugin is very simple to use and sometimes it’s just right. It’s always worth trying out if you want a digitised hip-hop, trap or other EDM-driven vocal sound.
It’s extremely lightweight, easy to use (obviously) and it provides results – what more can you ask for?
Conclusion
So there we have 7 of today’s best free autotune plugins – if you were thinking you probably needed to fork out $$$ for an expensive autotune plugin then hopefully you’re relieved!
Autotune is here to stay and we all know it! Of course, not every genre needs autotuned vocals but it’s generally agreed amongst even veteran engineers that most vocal parts benefit from just a bit of autotune tightening.
Autotune can be used creatively as well as correctively. Autotune can help you fatten up a vocal sound, improving its impact, sustain and vibrato. Because of the power autotune can bring to a vocal, we’re used to hearing strongly autotuned vocals in many tracks across genres of EDM, hip-hop and pop music but though many engineers wouldn’t like to admit it, it’s used lightly in jazz, blues and even classical music.
Autotune has become an important component of the mixing process and therefore, you may as well embrace the change and equip your DAW with some of these awesome free autotune plugins!
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Auto-Tune can also be used as an effect to distort the human voice when pitch is raised or lowered significantly, such that the voice is heard to leap from note to note stepwise, like a synthesizer.
Auto-Tune has become standard equipment in professional recording studios. Instruments such as the Peavey AT-200 guitar seamlessly use Auto Tune technology for real time pitch correction.
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Antares AutoTune History
Auto-Tune was launched in September 1997 by Andy Hildebrand, a Ph.D. research engineer specialized in stochastic estimation theory and digital signal processing. His method for detecting pitch involved the use of autocorrelation and proved to be superior to earlier attempts based on feature extraction that had problems processing certain aspects of the human voice such as diphthongs, leading to sound artifacts.
Music industry engineers had previously considered the use of autocorrelation impractical because of the extremely large computational effort required, but Hildebrand found a “simplification [that] changed a million multiply adds into just four. It was a trick — a mathematical trick.” Over several months in early 1996, he implemented the algorithm on a custom Macintosh computer, and presented the result at the NAMM Show later that year, where “it was instantly a massive hit.”
Hildebrand had come up with the idea for a vocal pitch correction technology on the suggestion of a colleague’s wife, who had joked that she could benefit from a device to help her sing in tune. Originally, Auto-Tune was designed to discreetly correct imprecise intonations, in order to make music more expressive, with the original patent asserting that “When voices or instruments are out of tune, the emotional qualities of the performance are lost.”
According to Chris Lee of the Los Angeles Times, Cher’s 1998 song “Believe” is “widely credited with injecting Auto-Tune’s mechanical modulations into pop consciousness”. Cher’s producers used the device to “exaggerate the artificiality of abrupt pitch correction”, contrary to its original purpose.
While working with Cher on the song “Believe” in 1998, producers Mark Taylor and Brian Rawling discovered that if they set Auto-Tune on its most aggressive setting, so that it corrected the pitch at the exact moment it received the signal, the result was an unsettlingly robotic tone.
— Greg Milner (2009)
In an early interview, the producers of “Believe” claimed they had used a DigiTech Talker FX pedal, in what Sound on Sound’s editors felt was an attempt to preserve a trade secret. After the success of “Believe” the technique was initially referred to as the “Cher Effect”. In the year 2000, the single “Naive Song” performed by Mirwais Ahmadzai from his album Production was the first ever track using Auto-Tune on the complete vocals.
The use of Auto-Tune as a vocal effect was bolstered in the late 2000s by hip hop/R&B recording artist T-Pain who elaborated on the effect and made active use of Auto-Tune in his songs. He cites new jack swing producer Teddy Riley and funk artist Roger Troutman’s use of the Talk Box as inspirations for his own use of Auto-Tune. T-Pain became so associated with Auto-Tune that he had an iPhone App named after him that simulated the effect, called “I Am T-Pain”.
Eventually dubbed the “T-Pain effect”, the use of Auto-Tune became a popular fixture of late 2000s music, where it was notably used in other hip hop/R&B artists’ works, including Snoop Dogg’s single “Sexual Eruption”, Lil Wayne’s “Lollipop”,[26] and Kanye West’s album 808s & Heartbreak. In 2009, riding on the wave of Auto-Tune’s popularity, The Black Eyed Peas’ number-one hit, “Boom Boom Pow”, made heavy use of Auto-Tune on all the group’s vocals to create a futuristic sound.
Radiohead used Auto-Tune on their 2001 album Amnesiac to create a “nasal, depersonalised sound” and to process speech into melody. According to singer Thom Yorke, the software “desperately tries to search for the music in your speech, and produces notes at random. If you’ve assigned it a key, you’ve got music.”
The use of Auto-Tune in hip hop gained a resurgence in the mid-2010s, especially in trap music.[15] Hip hop artists like Future, Migos, Travis Scott, and Lil Uzi Vert use Auto-Tune to create a signature sound.
The effect has also become popular in raï music and other genres from Northern Africa. According to the Boston Herald, country stars Faith Hill, Shania Twain, and Tim McGraw use Auto-Tune in performance, calling it a safety net that guarantees a good performance. However, other country music singers, such as Allison Moorer, Garth Brooks, Big & Rich, Trisha Yearwood, Vince Gill and Martina McBride, have refused to use Auto-Tune.
Japanese idol band PassCode make heavy use of Auto-Tune.
The latest[when?] version of Auto-Tune is Auto-Tune Artist, which is optimized for low latency performance. The most popular version of Auto-Tune is Auto-Tune Pro,[citation needed] the third newest release.
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| File Details: | |
|---|---|
| File Name | Antares AutoTune 5 Free Share By Musical Sanjeet YouTube Channel.zip |
| File Size | 685.25 KB |
| Publisher | Steinberg Media Technologies |
| Release Date | 24th, August, 2009 |
| Operating Systems | Windows 7/Windows 8.x/Windows 10 x86/x64 etc. |
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